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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
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DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
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VIOLONCELLE
XYLOPHONE
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AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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COUNTRY
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Note4Piano
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SheetMusicPlus
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expert
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avec vidéo
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Non classifié
3624
PIANO & CLAVIERS
Piano seul
3872
Piano, Voix
1811
Piano Facile
557
Piano, Voix et Guitare
248
Instruments en Do
92
Orgue
73
1 Piano, 4 mains
45
Accompagnement Piano
34
2 Pianos, 4 mains
32
Piano Trio: piano, violon, violoncelle
25
Accordéon
22
Piano Quatuor: piano, violon, alto, violoncelle
12
Piano Quatuor: piano, 2 violons, violoncelle
7
Piano Quintette: piano, 2 violons, alto, violoncelle
7
Piano grosses notes
4
Orgue, Piano (duo)
4
Piano (partie séparée)
3
Clavecin
2
2 Pianos, 8 mains
2
Orgue, Trompette (duo)
2
1 Piano, 6 mains
1
Instrument seul et Orgue
1
Instrumentations suivantes
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GUITARES
Guitare notes et tablatures
144
Guitare
104
Ligne De Mélodie, (Paroles) et Accords
55
Ukulele
22
2 Guitares (duo)
13
Piano, Guitare (duo)
10
Basse electrique
10
Mandoline
8
Guitare (partie séparée)
8
Banjo
5
Paroles et Accords
5
4 Guitares (Quatuor)
4
Basse électrique (partie séparée)
3
Guitare Pedal Steel
2
Ensemble de guitares
2
Ensemble de Ukulélés
1
Dulcimer
1
Mandoline, Guitare (duo)
1
Dobro
1
2 Ukuleles
1
Instrumentations suivantes
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VOIX
Chorale SATB
821
Chorale Unison
402
Chorale 3 parties
262
Chorale 2 parties
237
Chorale TTBB
111
Voix duo, Piano
65
Chorale SSAA
63
Voix duo
29
Voix seule
14
Voix Alto, Piano
9
Voix Tenor, Piano
9
Voix Soprano, Piano
9
Voix haute
6
Voix moyenne, Piano
4
Voix Soprano
4
Voix Baryton, Piano
4
Voix basse, Piano
3
Chorale
3
Voix Tenor
3
Chorale SSATB
2
Voix Mezzo-Soprano, Piano
2
Chorale SATTBB A Cappella
2
Soli, choeur mixte et accompagnement
1
Chorale SSAATTBB
1
Chorale SSAATB
1
Instrumentations suivantes
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VENTS
2 Saxophones (duo)
330
Flûte traversière et Piano
261
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
236
Quintette de Saxophone: 5 saxophones
216
Clarinette et Piano
204
Hautbois, Piano (duo)
177
Quatuor de Saxophones: 4 saxophones
177
Flûte, Hautbois, Clarinette, Basson
160
2 Clarinettes (duo)
155
Saxophone Alto et Piano
146
Clarinette
139
2 Flûtes traversières (duo)
131
Saxophone, Clarinette (duo)
128
Flûte traversière
116
Saxophone Tenor et Piano
103
Saxophone Soprano et Piano
96
Saxophone (partie séparée)
94
Clarinette, Violon (duo)
89
Clarinette, Trompette (duo)
80
Saxophone Alto
79
2 Hautbois (duo)
75
Ensemble de saxophones
75
Flûte, Clarinette (duo)
72
2 Flûte à bec (duo)
71
Hautbois, Clarinette (duo)
62
Hautbois, Basson (duo)
54
Saxophone Baryton, Piano
53
Hautbois (partie séparée)
52
Quatuor de Clarinettes: 4 clarinettes
50
Flûte, Violon
46
Flûte, Saxophone (duo)
45
Ensemble de Clarinettes
45
Clarinette et Alto
43
Hautbois, Flûte
42
Cor anglais, Piano
40
Flûte, Alto (duo)
38
Saxophone
35
Flûte, Trompette (duo)
35
Quintette de Clarinettes: 5 clarinettes
35
Quintette de Flûte : 5 flûtes
31
Quatuor de Flûtes : 4 flûtes
27
Ensemble de Flûtes
26
Saxophone Tenor
26
Clarinette Basse, Piano
25
Hautbois
25
3 Clarinettes (trio)
21
Flûte à bec Soprano
20
Flûte à Bec
20
3 Saxophones (trio)
16
Clarinette, Basson (duo)
16
Trio de Flûtes: 3 flûtes
13
Saxophone Soprano
12
Hautbois, Clarinette, Basson (trio d'anches)
12
Clarinette (partie séparée)
12
Flûte, Violoncelle
11
Flûte, Violoncelle, Piano (trio)
11
Flûte, Hautbois (duo)
11
Saxophone Baryton
10
Flute (partie séparée)
10
Flûte, Clarinette et Basson
10
Clarinette, Trombone (duo)
9
Quatuor de Flûtes à bec
8
Hautbois, Violoncelle
7
Clarinette, Harpe (duo)
6
Flûte, Hautbois, Clarinette (trio)
6
Flûte à bec Soprano, Piano
6
Cor Anglais
5
Flûte et Guitare
5
Flûte, Clarinette, Piano (trio)
4
Flûte à bec Tenor
4
Flûte à bec Alto
4
Clarinette, Violoncelle (duo)
4
2 Clarinettes, Piano
4
Ensemble De Flûte à bec
3
Flûte, Alto et Piano
3
Saxophone et Guitare
3
2 Saxophones, Piano
3
5 Flûtes à bec
3
3 Flûtes à bec (trio)
3
Clarinette, Violoncelle, Piano (trio)
3
Clarinette, Guitare (duo)
3
Clarinette, trompette et piano
2
Flûte, Harpe et Violoncelle
2
Flûte, Basson et Piano
2
Flûte, Violon et Violoncelle
2
Flûte à bec Alto, Piano
2
Hautbois, violon (duo)
2
2 Flûtes traversières, Piano
2
Hautbois, Basson et Piano
2
Hautbois, Violoncelle et Piano
2
Saxophone et Orgue
2
Piccolo, Piano
2
Flûte, trombone et piano
1
Hautbois, Harpe
1
Cornemuse
1
Flûte, Violon, Violoncelle et Piano
1
Flûte, Violon, Piano
1
Flûte, Clarinette, Violon (trio)
1
Hautbois et alto (duo)
1
Flûte irlandaise
1
Flûte à Bec, Piano
1
Flûte, Violon, Guitare
1
4 Hautbois
1
Flûte, Hautbois, Piano (trio)
1
Piccolo
1
Flûte à bec Alto, Basse continue
1
2 Hautbois, Piano
1
Ensemble à vent
1
Hautbois, Violon, Piano
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
275
Quatuor de Cuivres : 2 trompettes, trombone, tuba
148
Trompette, Piano
138
Trompette
137
Trombone et Piano
134
Cor et Piano
106
Trombone
94
Trompette, Saxophone (duo)
93
2 Trombones (duo)
88
2 Trompettes (duo)
87
Quatuor de Cuivres: 2 trompettes, Cor, trombone
82
Cor
76
Trompette, Trombone (duo)
72
Ensemble de Trompettes
69
Tuba
60
Tuba et Piano
58
Quatuor de Cuivres
51
Cor anglais, Piano
40
2 Cors (duo)
35
Euphonium, Piano (duo)
34
Ensemble de Trombones
34
Trombone (partie séparée)
31
Trompette (partie séparée)
29
2 Tubas (duo)
21
Quatuor de cuivres: 4 trombones
15
Cor (partie séparée)
13
2 Euphoniums et 2 Tubas
13
Trompette, Cor (duo)
11
Quatuor de cuivres: 4 cors
11
2 Euphoniums (duo)
11
Tuba et Orgue
10
Ensemble de Cors
10
Tuba (partie séparée)
8
Cor Anglais
5
Trombone, Cor (duo)
5
Trio de Cuivres
4
Quatuor de cuivres: 4 trompettes
4
Trompette, Tuba (duo)
3
4 Tubas
3
Quatuor de cuivres: 2 trompettes, 2 trombones
3
Cor, Tuba (duo)
3
Trompette, Violoncelle (duo)
3
Trombone, Tuba (duo)
3
Euphonium
2
Trombone basse et Piano
2
Cor, Violoncelle (duo)
2
Cor et Basson (duo)
2
3 Trombones (trio)
2
Trompette, Euphonium (duo)
1
Trompette, Violoncelle et Piano
1
Instruments en Sib
1
3 Euphoniums
1
Tuba ou Euphonium ou Saxhorn
1
Bass Clef Instruments
1
Ensemble de Tubas
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
347
Violon et Piano
282
Violoncelle, Piano
214
Alto, Piano
208
Violon
161
Violon, Violoncelle (duo)
136
Harpe
120
2 Violons (duo)
105
2 Violoncelles (duo)
93
Quintette à cordes: 2 violons, alto, violoncelle, basse
84
Violon, Alto (duo)
81
2 Altos (duo)
78
Alto seul
74
Violoncelle (partie séparée)
73
Contrebasse, Piano (duo)
62
Trio à Cordes: violon, alto, violoncelle
57
Violoncelle
53
Contre Basse
52
Alto (partie séparée)
25
2 Contrebasses (duo)
19
Trio à Cordes: 2 violons, violoncelle
16
Ensemble de Violons
15
Alto, Violoncelle (duo)
13
Ensemble d'Altos
13
Harpe, Flûte (duo)
12
4 Violoncelles
11
Contrebasse (partie séparée)
9
Violon (partie séparée)
9
Piano Trio: Violon, Alto, Piano
8
Violon, Basson (duo)
6
Violon, Guitare (duo)
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Trio à cordes: 3 violins
4
Alto et Basson
4
Trio à Cordes: 2 violons, alto
3
2 Harpes (duo)
3
Quatuor à cordes: 4 violons
3
Violoncelle, Contrebasse (duo)
3
Harpe, Violon (duo)
3
Quatuor à cordes : 4 altos
2
Violon, Clarinette, Piano (trio)
2
Harpe, Violon, Violoncelle
2
Violoncelle , Guitare (duo)
2
Ensemble de Violoncelles
2
Trio à cordes: 3 altos
2
2 Altos, Piano
1
Trio à Cordes: 3 violoncelles
1
Harpe, Voix
1
Trio à cordes
1
4 Harpes
1
4 Contrebasses
1
Violoncelle, Orgue
1
2 Violoncelles, Piano
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
705
Orchestre
249
Orchestre à Cordes
155
Ensemble Jazz
74
Orchestre de chambre
63
Ensemble de cuivres
61
Cloches
50
Jazz combo
35
Timbales (partie séparée)
33
Batterie
33
Ensemble de Percussions
19
Marimba
15
Fanfare
13
Batterie (partie séparée)
11
Percussion (partie séparée)
10
Timbales
8
Xylophone, Piano
8
Xylophone
7
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
6
Percussion
3
Caisse Claire
1
Quintette de Cuivres: autres combinaisons
1
Vibraphone
1
Ensemble d'École
1
Quintette à Vent
1
Piano et Orchestre
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
Tim New
Orchestre de chambre
Partitions à imprimer
63 partitions trouvées
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51
Quiet Times - Solo Flugelhorn Feature for Studio Orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.817154 Composed by Richard D…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.817154 Composed by Richard Decker. 21st Century,Contemporary,Contest,Festival,Jazz,Pop. 41 pages. Charles Decker Music Press #5740917. Published by Charles Decker Music Press (A0.817154). This very accessible and moderately difficult original jazz-influenced, lush sounding ballad for studio orchestra featuring solo flugelhorn creates lasting memories for performers and audiences. New York State School Music News review: This slow ballad has an effective legato flow with remarkably colorful orchestration … a very original and playable creation. The audio file is an actual studio orchestra performance of the entire work and not a computer playback of the score. See also the piano reduction accompaniment for Quiet Times at Charles Decker Music Press. See 50+ homogeneous brass group editions for horn, trumpet and trombone ensembles and more than 70 mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. Check out our Music of Black Composers Series with Charles Decker Music Press at Sheet Music Plus with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others. All ensemble publications include recordings of the entire edition.
$18.95
17.44 €
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Orchestre de chambre
#
Richard Decker
#
Quiet Times - Solo Flugelhorn Feature for Studio Orchestra
#
Charles Decker Music Press
#
SheetMusicPlus
A Whole New World
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1372281 Composed by Alan Men…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1372281 Composed by Alan Menken and Tim Rice. Arranged by Melvin Tay. Broadway,Film/TV,Musical/Show. 32 pages. Melvin Tay #956562. Published by Melvin Tay (A0.1372281).
$49.99
46.01 €
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Orchestre de chambre
#
Alan Menken and Tim Rice
#
Melvin Tay
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A Whole New World
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Melvin Tay
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SheetMusicPlus
A Whole New World (reprise) - Score Only
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1136727 Composed by Alan Men…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1136727 Composed by Alan Menken and Tim Rice. Arranged by Deborah Levy. Broadway,Children,Film/TV,Musical/Show,Pop. Score and parts. 6 pages. Deborah Levy #736726. Published by Deborah Levy (A0.1136727). Arranjo para flauta, piano, viola e violoncello.
$6.99
6.43 €
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Orchestre de chambre
#
Alan Menken and Tim Rice
#
Deborah Levy
#
A Whole New World
#
Deborah Levy
#
SheetMusicPlus
A Whole New World
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1311477 Composed by Alan Men…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1311477 Composed by Alan Menken and Tim Rice. Arranged by Chappell Kingsland. Broadway,Chamber,Film/TV,Musical/Show,Pop,Rock. 30 pages. Chappell Kingsland #900475. Published by Chappell Kingsland (A0.1311477). One of the most beloved songs in the Disney canon; this is the ONLY arrangement for chamber orchestra which references both the movie version AND the pop radio sensation! Electric Guitar and Drumset play a big part in switching to the pop/rock sound halfway through.This was written for a C Instrument Soloist (flute, oboe, violin, etc.) with Chamber Orchestra (15 players), but see the other arrangements by Chappell Kingsland if you’d like a different instrument or a vocalist as the featured soloist. Arranged for Callie Dorsett and the Wild Beautiful Orchestra.
$50.00
46.02 €
#
Orchestre de chambre
#
Alan Menken and Tim Rice
#
Chappell Kingsland
#
A Whole New World
#
Chappell Kingsland
#
SheetMusicPlus
A Whole New World
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1311456 Composed by Alan Men…
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1311456 Composed by Alan Menken and Tim Rice. Arranged by Chappell Kingsland. Broadway,Chamber,Film/TV,Musical/Show,Pop,Rock. 30 pages. Chappell Kingsland #900460. Published by Chappell Kingsland (A0.1311456). One of the most beloved songs in the Disney canon; this is the ONLY arrangement for chamber orchestra which references both the movie version AND the pop radio sensation! Electric Guitar and Drumset play a big part in switching to the pop/rock sound halfway through.This was written for a Bb Instrument Soloist (clarinet, soprano sax, tenor sax, trumpet, etc.) with Chamber Orchestra (15 players), but see the other arrangements by Chappell Kingsland if you’d like a different instrument or a vocalist as the featured soloist. Arranged for Callie Dorsett and the Wild Beautiful Orchestra.
$50.00
46.02 €
#
Orchestre de chambre
#
Alan Menken and Tim Rice
#
Chappell Kingsland
#
A Whole New World
#
Chappell Kingsland
#
SheetMusicPlus
A Whole New World
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1314947 Composed by Alan Men…
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1314947 Composed by Alan Menken and Tim Rice. Arranged by Chappell Kingsland. Broadway,Chamber,Film/TV,Musical/Show,Pop,Rock. 32 pages. Chappell Kingsland #903696. Published by Chappell Kingsland (A0.1314947). One of the most beloved songs in the Disney canon; this is the ONLY arrangement for chamber orchestra which references both the movie version AND the pop radio sensation! Electric Guitar and Drumset play a big part in switching to the pop/rock sound halfway through.This was written for a Vocal Duet (one high and one low voice, any type) with Chamber Orchestra (15 players), but see the other arrangements by Chappell Kingsland if you’d like the version for a single vocal soloist, or the versions with an instrumental soloist. Arranged for Callie Dorsett and the Wild Beautiful Orchestra.
$50.00
46.02 €
#
Orchestre de chambre
#
Alan Menken and Tim Rice
#
Chappell Kingsland
#
A Whole New World
#
Chappell Kingsland
#
SheetMusicPlus
A Whole New World
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1314942 Composed by Alan Men…
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1314942 Composed by Alan Menken and Tim Rice. Arranged by Chappell Kingsland. Broadway,Chamber,Film/TV,Musical/Show,Pop,Rock. 31 pages. Chappell Kingsland #903690. Published by Chappell Kingsland (A0.1314942). One of the most beloved songs in the Disney canon; this is the ONLY arrangement for chamber orchestra which references both the movie version AND the pop radio sensation! Electric Guitar and Drumset play a big part in switching to the pop/rock sound halfway through.This was written for a Vocal Soloist (soprano, alto, tenor, or treble voice) with Chamber Orchestra (15 players), but see the other arrangements by Chappell Kingsland if you’d like the vocal duet or an instrument as the featured soloist. Arranged for Callie Dorsett and the Wild Beautiful Orchestra.
$50.00
46.02 €
#
Orchestre de chambre
#
Alan Menken and Tim Rice
#
Chappell Kingsland
#
A Whole New World
#
Chappell Kingsland
#
SheetMusicPlus
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude D…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95
15.6 €
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Orchestre de chambre
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Claude Debussy/Robert Orledge
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Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Asphixivision (Score & Parts)
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.976911 Composed by Sabrina P…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.976911 Composed by Sabrina Pena Young. 20th Century,Contemporary,Latin,Standards. 32 pages. Sabrina Peña Young #3425603. Published by Sabrina Peña Young (A0.976911). Lively rhythmic 21st century string quartet work. Score and parts included. Ideal piece for advanced high school students, small orchestra or string ensemble, college string ensembles, professional string quartets, and community groups. Written by award-winning Cuban-Dominican composer. Feel free to contact composer directly for any questions. Award-winning Cuban-American Composer S. Peña Younghttps://sabrinapenayoung.wordpress.com/Contact Young directly at FacebookFACEBOOK: https://www.facebook.com/newmusiccomposerAward-winning Cuban-American composer S Peña Young has a rich history of creating groundbreaking classical music with cutting edge works like the multimedia oratorio Creation, winner of the IAWM New Genre Prize, World Order #5 for percussion and multimedia, and collaborations with artists in Vox Novus 60×60 and Lee Scott’s interactive web opera The Village. In 2014 Young gave a TED Talk on her animated science fiction opera Libertaria, the world’s first machinima opera. Young is the author of the science fiction series The Libertaria Chronicles and Composer Boot Camp 101: 50 Exercises for Educators, Students, and Music Professionals, (available at AMAZON) and is in production for the animated film Spiritus. Young is a sought-after lecturer and writer on music technology, audio engineering, film music, composition/songwriting, film, social media, online collaboration, marketing, and contemporary music and is an advocate for new music.
$8.99
8.27 €
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Orchestre de chambre
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Sabrina Pena Young
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Asphixivision
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Sabrina Peña Young
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SheetMusicPlus
Downward Spiral
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.976917 Composed by Sabrina P…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.976917 Composed by Sabrina Pena Young. 20th Century,Contemporary. 7 pages. Sabrina Peña Young #3425623. Published by Sabrina Peña Young (A0.976917). Beautiful adagio work for strings. Can be adapted to string quartet, string orchestra or string ensemble. Intermediate to advanced 21st century work. Written by award-winning composer. Award-winning Cuban-American Composer S. Peña Younghttps://sabrinapenayoung.wordpress.com/Contact Young directly at FacebookFACEBOOK: https://www.facebook.com/newmusiccomposerAward-winning Cuban-American composer S Peña Young has a rich history of creating groundbreaking classical music with cutting edge works like the multimedia oratorio Creation, winner of the IAWM New Genre Prize, World Order #5 for percussion and multimedia, and collaborations with artists in Vox Novus 60×60 and Lee Scott’s interactive web opera The Village. In 2014 Young gave a TED Talk on her animated science fiction opera Libertaria, the world’s first machinima opera. Young is the author of the science fiction series The Libertaria Chronicles and Composer Boot Camp 101: 50 Exercises for Educators, Students, and Music Professionals, (available at AMAZON) and is in production for the animated film Spiritus. Young is a sought-after lecturer and writer on music technology, audio engineering, film music, composition/songwriting, film, social media, online collaboration, marketing, and contemporary music and is an advocate for new music.
$8.99
8.27 €
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Orchestre de chambre
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Sabrina Pena Young
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Downward Spiral
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Sabrina Peña Young
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SheetMusicPlus
Song of the Forgotten Rose Trio for Marimba, Flute and Piano
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.976943 Composed by Sabrina P…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.976943 Composed by Sabrina Pena Young. Children,Concert,Holiday,Love,Wedding. 9 pages. Sabrina Peña Young #3432533. Published by Sabrina Peña Young (A0.976943). Beautiful song for flute, marimba and piano about love, romance, and a forgotten rose found by her hero. A wedding song. Mythical tale. Truly a lovely work for intermediate to advanced musicians. A perfect work of repertoire for any music studio! Ideal for pedagogy, performance, or special event. Award-winning composer. Quite an exceptional work! Award-winning Cuban-American Composer S. Peña Younghttps://sabrinapenayoung.wordpress.com/Contact Young directly at FacebookFACEBOOK: https://www.facebook.com/newmusiccomposerAward-winning Cuban-American composer S Peña Young has a rich history of creating groundbreaking classical music with cutting edge works like the multimedia oratorio Creation, winner of the IAWM New Genre Prize, World Order #5 for percussion and multimedia, and collaborations with artists in Vox Novus 60×60 and Lee Scott’s interactive web opera The Village. In 2014 Young gave a TED Talk on her animated science fiction opera Libertaria, the world’s first machinima opera. Young is the author of the science fiction series The Libertaria Chronicles and Composer Boot Camp 101: 50 Exercises for Educators, Students, and Music Professionals, (available at AMAZON) and is in production for the animated film Spiritus. Young is a sought-after lecturer and writer on music technology, audio engineering, film music, composition/songwriting, film, social media, online collaboration, marketing, and contemporary music and is an advocate for new music.
$8.99
8.27 €
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Orchestre de chambre
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Sabrina Pena Young
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Song of the Forgotten Rose Trio for Marimba, Flute and Piano
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Sabrina Peña Young
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SheetMusicPlus
Requiem
Orchestre de chambre
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
51.53 €
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
The Star Spangled Banner (US National Anthem) for Chamber Orchestra - Set of Parts
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1088281 Composed by John Sta…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1088281 Composed by John Stafford Smith. Arranged by Yoon Jae Lee. Classical,Instructional,Patriotic,Standards,Traditional. Set of parts. 17 pages. Ondine Press #692535. Published by Ondine Press (A0.1088281). Instrumentation: 2. 2. 2. 2 – 2. 2. 0. 0 – tp – str This is a set of parts to Yoon Jae Lee's arrangement of the Star Spangled Banner for chamber orchestra. The full score is available separately. Throughout history, popular tunes have been adapted to suit the changing tastes and styles of the times. The US national anthem is no different. Originally based on a popular tune called “The Anacreontic Song†in a brisk 6/4 meter, it gradually transformed into the solemn 3/4 meter anthem we now so commonly hear. This newly orchestrated arrangement of the Star Spangled Banner for classical chamber orchestra is in the period style of the late 18th century and based on the first printed edition of the anthem in 1814. Upbeat and refreshing, it reflects the optimistic spirit of a young nation with a bright future ahead of it. Audiences everywhere will be delighted by this historically informative yet entertaining rendition of the US national anthem! Perusal Score: https://issuu.com/ondinepress/docs/the_star_spangled_banner_chamber_orchestra.
$20.00
18.41 €
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Orchestre de chambre
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John Stafford Smith
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Yoon Jae Lee
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The Star Spangled Banner
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Ondine Press
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SheetMusicPlus
The Star Spangled Banner (US National Anthem) for Chamber Orchestra - Score Only
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1088278 Composed by John Sta…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1088278 Composed by John Stafford Smith. Arranged by Yoon Jae Lee. Classical,Instructional,Patriotic,Standards,Traditional. 7 pages. Ondine Press #692531. Published by Ondine Press (A0.1088278). Instrumentation: 2. 2. 2. 2 – 2. 2. 0. 0 – tp – str This is a full score to Yoon Jae Lee's arrangement of the Star Spangled Banner for chamber orchestra. The set of parts is available separately. Throughout history, popular tunes have been adapted to suit the changing tastes and styles of the times. The US national anthem is no different. Originally based on a popular tune called “The Anacreontic Song†in a brisk 6/4 meter, it gradually transformed into the solemn 3/4 meter anthem we now so commonly hear. This newly orchestrated arrangement of the Star Spangled Banner for classical chamber orchestra is in the period style of the late 18th century and based on the first printed edition of the anthem in 1814. Upbeat and refreshing, it reflects the optimistic spirit of a young nation with a bright future ahead of it. Audiences everywhere will be delighted by this historically informative yet entertaining rendition of the US national anthem! Perusal Score: https://issuu.com/ondinepress/docs/the_star_spangled_banner_chamber_orchestra.
$8.00
7.36 €
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Orchestre de chambre
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John Stafford Smith
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Yoon Jae Lee
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The Star Spangled Banner
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Ondine Press
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SheetMusicPlus
Concerto Grosso (2017) for chamber orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869525 Composed by Thomas Ob…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.869525 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Romantic Period. Score and parts. 78 pages. Thomas Oboe Lee #3112103. Published by Thomas Oboe Lee (A0.869525). Instrumentation: 2222-2200-timp-stringsSteve Laven, cellist with the Boston Pro Arte Chamber Orchestra, contacted me a month ago and asked if I would be interested in writing a work to help celebrate the 40th Anniversary of the founding of the Pro Arte Chamber Orchestra. I said, Sure!!! He said it would be nice if I would consider a concerto grosso in which the principal players of the orchestra would each get a feature. I agreed that that would be a fine idea. So, on June 18th, 2017, I started working on it. And since I am on summer vacation from teaching I was able to finished the 557-measure work on July 2nd, fifteen days after I started. In 2018 just before I made plans to get the work recorded I made some revisions. One major change was that I cut the fourth movement out completely. It is now a mere 482 measures long. The work is now in three movements. 1. Introduction; Allegro 2. Presto 3. Largo Duration: ca. 17 minutes.YouTube link: https://youtu.be/xIMSFEd0p8oBandcamp link: https://thomasoboelee.bandcamp.com/album/concerto-grosso-2017PS: This is the sixth work that the PACO has performed of my music. 1. Phantasia for Elvira Shatayev (1981) with soprano Judith Kellock and Newell Hendricks.2. Harp Concerto (1985) with Ann Hobson-Pilot and Gunther Schuller.3. Symphony No. 1 ... Fallen Angels (1993, rev. 1995) with Gunther Schuller.4. Forró (1998) with Gunther Schuller.5. Daphne ... An Imaginary Ballet (2015) with Beatrice Affron.6. Concerto Grosso (2017) with Kevin Rhodes.
$9.99
9.19 €
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Orchestre de chambre
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Thomas Oboe Lee
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Allegro
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Concerto Grosso
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Thomas Oboe Lee
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SheetMusicPlus
Beliebte Annen-Polka op. 137
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.927361 Composed by Johann St…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.927361 Composed by Johann Strauss Sr. Arranged by Wim Lasoen. Romantic Period. Score and Parts. 14 pages. Newzenmusic.org #3601913. Published by Newzenmusic.org (A0.927361). Arrangement for Salon Orchestra (Flute, Clarinet, Piano, Violin I, Violin II, Cello and Double Bass)Strauss programmed this polka for the Austrian Empress's name-day in 1842. Name-day celebrations at court always meant a carnival for the inhabitants of Vienna in those days. Strauss sr. directed the music for the court balls, namely in the Volksgarten. At its première, this Anna Polka was encored four times. Only one week after the feast, the published edition of the piano reduction already appeared. Interesting detail: its the publisher who adds 'Popular' (Beliebte) to the title, which was a brilliant move crowned with success: not only would this piece become an enduring crowd-pleaser, it also launched the Polka as the new dance sensation.
$18.50
17.03 €
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Orchestre de chambre
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Johann Strauss Sr
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Wim Lasoen
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Beliebte Annen-Polka op. 137
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Newzenmusic.org
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SheetMusicPlus
Entre Nous for Strings
Orchestre de chambre
String Ensemble,String Quintet - Level 1 - Digital Download SKU: A0.799652 Composed…
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String Ensemble,String Quintet - Level 1 - Digital Download SKU: A0.799652 Composed by D. M. Gardner. Concert. Score and parts. 25 pages. D. M. Gardner Music #481035. Published by D. M. Gardner Music (A0.799652). This very popular piece has enjoyed performances across the country. Entre Nous was originally premiered in Omaha, Nebraska with the University of Nebraska Chamber Orchestra. Soon, Entre Nous made it's way to places such as Florida, Texas, and most recently, Iowa, where this newest revision was premiered. Entre Nous has faired well in competition and recital and is sure to be a great addition the repertoire of any chamber orchestra.Entre Nous (between me and thee) is a conversation between a man and his God. It is a single movement, ternary composition, mirroring the Holy Trinity. Beginning in a solemn g minor, it quickly moves forward with an endless flow of eighth note counterpoint, emerging enchantingly into the flowing melancholy melody of the B section. The second A surfaces in a minor with a sudden new energy and direction, slipping into a deeply contemplative, ethereally enchanting ending.Entre Nous is also a very unique and interesting piece, perhaps the reason for its popularity. Structurally, it turns upside-down a number of times, each line becoming the melody at some point. A very linear piece, melodic interweaving and predominance give Entre Nous a characteristic that can be best described as enchanting. Much of the melody being perceived is actually a combination of several lines of music at once, often in contrast to another melody or two beneath.Premiere: University of Nebraska at Omaha - Chamber Orchestra - April 30, 1997Difficulty: Moderate - A great piece for middle school or youth orchestras. Great for competition. Entre Nous has been performed for several competitions and a graduate audition at Florida State.Number of Pages: 25 total printed pagesApprox. 7 minutes and 34 seconds in lengthTo learn more about the composer, please visit https://www.dmgardner.com
$19.99
18.4 €
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Orchestre de chambre
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D
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Entre Nous for Strings
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D. M. Gardner Music
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SheetMusicPlus
The Fallen – Flute Concerto (score – flute and string orchestra)
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.861934 Composed by Mark O'Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.861934 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 48 pages. Mark O'Connor Musik International #6208131. Published by Mark O'Connor Musik International (A0.861934). The Fallen – Flute Concerto (score – flute and string orchestra) MO163AScore in Three Movements (parts available)Music by Mark O’Connor44 pages - 18:00 minutes in length The Fallen for flute solo and strings composed by Mark O’Connor in three movements was commissioned by two different flutists for their respective music festivals in the summer of 2003; Marya Martin for the 20th anniversary of her Bridghampton Festival in New York, and Beth Ross-Buckley at her Camarada Festival in San Diego. The compositional process for the piece began for O’Connor in 2003, the very day the war was launched in Iraq. The piece was finished about three weeks later around the time the statues of the Iraqi dictator fell in Baghdad. This music is a reflection of the people who lost their lives in the war. This particular impact on his music makes for quite a different result from O’Connor’s usual optimism. However he finds a way to weave in a sense of a better future in the third movement. By transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCommissioned by Bridgehampton Chamber Music Associates, New York and Camarada – San DiegoCan be heard on Beauty In America MSR ClassicsCarla Auld – flute, Eric Jacobsen - conductor Catalogue Number MO163ACopyright © 2003 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$30.00
27.61 €
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Orchestre de chambre
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transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world
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Mark O'Connor
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The Fallen – Flute Concerto
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Mark O'Connor Musik International
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SheetMusicPlus
The Fallen – Flute Concerto (flute part – flute and string orchestra)
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.861935 Composed by Mark O'Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.861935 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 18 pages. Mark O'Connor Musik International #6208137. Published by Mark O'Connor Musik International (A0.861935). The Fallen – Flute Concerto (flute part – flute and string orchestra) MO163BFlute Part - Three Movements (score and parts available)Music by Mark O’Connor14 pages - 18:00 minutes in length The Fallen for flute solo and strings composed by Mark O’Connor in three movements was commissioned by two different flutists for their respective music festivals in the summer of 2003; Marya Martin for the 20th anniversary of her Bridghampton Festival in New York, and Beth Ross-Buckley at her Camarada Festival in San Diego. The compositional process for the piece began for O’Connor in 2003, the very day the war was launched in Iraq. The piece was finished about three weeks later around the time the statues of the Iraqi dictator fell in Baghdad. This music is a reflection of the people who lost their lives in the war. This particular impact on his music makes for quite a different result from O’Connor’s usual optimism. However he finds a way to weave in a sense of a better future in the third movement. By transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCommissioned by Bridgehampton Chamber Music Associates, New York and Camarada – San DiegoCan be heard on Beauty In America MSR ClassicsCarla Auld – flute, Eric Jacobsen - conductor Catalogue Number MO163BCopyright © 2003 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$15.00
13.8 €
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Orchestre de chambre
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transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world
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Mark O'Connor
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The Fallen – Flute Concerto
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Mark O'Connor Musik International
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SheetMusicPlus
The Fallen – Flute Concerto (string parts – flute and string orchestra)
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.861936 Composed by Mark O'Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.861936 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 70 pages. Mark O'Connor Musik International #6208141. Published by Mark O'Connor Musik International (A0.861936). The Fallen – Flute Concerto (string parts – flute and string orchestra) MO163C-GString Parts in Three Movements (score and flute solo part available)Music by Mark O’Connor50 pages - 18:00 minutes in length The Fallen for flute solo and strings composed by Mark O’Connor in three movements was commissioned by two different flutists for their respective music festivals in the summer of 2003; Marya Martin for the 20th anniversary of her Bridghampton Festival in New York, and Beth Ross-Buckley at her Camarada Festival in San Diego. The compositional process for the piece began for O’Connor in 2003, the very day the war was launched in Iraq. The piece was finished about three weeks later around the time the statues of the Iraqi dictator fell in Baghdad. This music is a reflection of the people who lost their lives in the war. This particular impact on his music makes for quite a different result from O’Connor’s usual optimism. However he finds a way to weave in a sense of a better future in the third movement. By transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCommissioned by Bridgehampton Chamber Music Associates, New York and Camarada – San DiegoCan be heard on Beauty In America MSR ClassicsCarla Auld – flute, Eric Jacobsen - conductor Catalogue Number MO163C-GCopyright © 2003 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$30.00
27.61 €
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Orchestre de chambre
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transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world
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Mark O'Connor
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The Fallen – Flute Concerto
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Mark O'Connor Musik International
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SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Optional Percussion
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.922640 Composed by Johann St…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792381. Published by Aaron Meier (A0.922640). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: *Optional Percussion (snare drum, triangle, cymbals) True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020.
$3.99
3.67 €
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Orchestre de chambre
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Mahler (arr. Lee): Symphony No. 4 in G Major 2nd movement, Full Score
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.866073 Composed by Gustav Ma…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.866073 Composed by Gustav Mahler. Arranged by Yoon Jae Lee. Romantic Period. Score and parts. 39 pages. Ondine Press #2011447. Published by Ondine Press (A0.866073). This arrangement of Mahler's most intimate orchestral work can be performed by a chamber orchestra of approximately 26 to 34 players. The arrangement remains very faithful to Mahler's original and is ideal for professional chamber orchestras, academic conducting programs, student conductor concerts, or whenever the full orchestral forces required for the original are not present. Instrumentation: 1d1, 1d1, 2d Eflat & bass cl, 1 - 2, 0, 0, 0 - 2 (3) perc, 1 hrp - str. Illuminating.....with solos leaping out in unusually bold detail. - New York Times. NOTE: This is the full score of the 2nd movement only. Sold in individual movements due to technical limits of Digital Print Publishing regarding # of pages in a file.
$20.00
18.41 €
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Orchestre de chambre
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Gustav Mahler
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Yoon Jae Lee
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Mahler
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Ondine Press
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SheetMusicPlus
Symphony No. 4 in G Major - Score Only
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.866113 Composed by Gustav Ma…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.866113 Composed by Gustav Mahler. Arranged by Yoon Jae Lee. Instructional,Multicultural,Romantic Period,World. 175 pages. Ondine Press #3407337. Published by Ondine Press (A0.866113). Instrumentation: 1d1. 1d1. 2d Eflat & bass cl. 1 - 2. 1. 0. 0 - 2 (3) perc. 1 hrp - str. This arrangement of Mahler's most intimate orchestral work can be performed by a chamber orchestra of approximately 26 to 34 players. The arrangement remains very faithful to Mahler's original and is ideal for professional chamber orchestras, academic conducting programs, student conductor concerts, or whenever the full orchestral forces required for the original are not present. Reviews: Illuminating.....with solos leaping out in unusually bold detail. Steve Smith, New York Times http://thechronicleherald.ca/artslife/910697-sns-brings-condensed-intensity-to-mahler-fourth Click link below to purchase full score online. http://ondinepress.musicaneo.com/sheetmusic/sm-188749_mahler_arr_lee_symphony_no_4_in_g_major_full_s... Performance material available for hire. Please email ondinepress@gmail.com for all rental inquiries.
$60.00
55.22 €
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Orchestre de chambre
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Gustav Mahler
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Yoon Jae Lee
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bass cl
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Symphony No. 4 in G Major - Score Only
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Ondine Press
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SheetMusicPlus
America the Beautiful - String Quartet or Group Score and Parts PDF
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.750975 Composed by Samuel A.…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.750975 Composed by Samuel A. Ward 1895. Arranged by Brendan Elliget MAGA 537. Patriotic. Score and parts. 12 pages. BJE Music #5789233. Published by BJE Music (A0.750975). America the Beautiful is an American patriotic song. The lyrics were written by Katharine Lee Bates, and the music was composed by church organist and choirmaster Samuel A. Ward at Grace Episcopal Church in Newark, New Jersey. The two never met. Bates originally wrote the words as a poem, Pikes Peak, first published in the Fourth of July edition of the church periodical The Congregationalist in 1895. At that time, the poem was titled America for publication. Ward had originally written the music, Materna, for the hymn O Mother dear, Jerusalem in 1882, though it was not first published until 1892. Ward's music combined with the Bates poem was first published in 1910 and titled America the Beautiful. The song is one of the most popular of the many U.S. patriotic songs. [Wikipedia]It has been arranged here for a String Quartet or Group [Key of C] including a Violin 3 which doubles the Viola part with appropriate range changes. There is also an optional Piano Part (Not shown on the score).The MP3 was recorded with NotePerformer 3.Grade = 2.5 Duration = 1:40 mins (2 verses)
$7.50
6.9 €
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Orchestre de chambre
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Samuel A
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Brendan Elliget MAGA 537
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America the Beautiful - String Quartet or Group Score and Parts PDF
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BJE Music
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SheetMusicPlus
The President's Turkey-Pardon
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1191818 Composed by Gert Th.…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1191818 Composed by Gert Th. Walter. Arranged by Gert Th. Walter. Christmas,Holiday. Score and Parts. 54 pages. Gert Th. Walter #791325. Published by Gert Th. Walter (A0.1191818). Are you looking for modern and spirited Christmas music for your Chamber Orchestra? Here you go! Fl1.2 - Ob1.2 - Clar1.2 - Bsn1.2 - Hr1.2 - Trp1.2 - Timpani - Strings. Renewed © 2023 MusikVerlag Gert Walter, Germany. All Rights Reserved. Please also visit our website: https://www.musikverlaggertwalter.de. And now have fun making music!
$29.90
27.52 €
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Orchestre de chambre
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Gert Th
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Gert Th
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The President's Turkey-Pardon
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Gert Th. Walter
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SheetMusicPlus
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